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・ Saturday Night (The Underdog Project song)
・ Saturday Night (Whigfield song)
・ Saturday Night (Zhané album)
・ Saturday Night and Sunday Morning
・ Saturday Night and Sunday Morning (film)
・ Saturday Night at the Blue Note
・ Saturday Night at the Garden
・ Saturday Night at the Movies
・ Saturday Night at the Movies (disambiguation)
・ Saturday Night at the Movies (song)
・ Saturday Night at the Palace
・ Saturday Night Blues
・ Saturday Night Blues (album)
・ Saturday Night Classic Party Mix
・ Saturday Night Dead
Saturday Night Fever
・ Saturday Night Fever (musical)
・ Saturday Night Fever (soundtrack)
・ Saturday Night Fiber
・ Saturday Night Fish Fry
・ Saturday Night Football
・ Saturday Night Football (disambiguation)
・ Saturday Night Footy
・ Saturday Night Fry
・ Saturday Night Glee-ver
・ Saturday Night Gossip
・ Saturday Night Grease
・ Saturday Night Hustle
・ Saturday Night Jamboree
・ Saturday Night Killing Machine


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Saturday Night Fever : ウィキペディア英語版
Saturday Night Fever

''Saturday Night Fever'' is a 1977 American dance film directed by John Badham and starring John Travolta as Tony Manero, a young man whose weekends are spent visiting a local Brooklyn discotheque; Karen Lynn Gorney as Stephanie Mangano, his dance partner and eventual friend; and Donna Pescow as Annette, Tony's former dance partner and would-be girlfriend. While in the disco, Tony is the king. His care-free youth and weekend dancing help him to temporarily forget the reality of his life: a dead-end job, clashes with his unsupportive and squabbling parents, racial tensions in the local community, and his associations with a gang of macho friends.
A huge commercial success, the film significantly helped to popularize disco music around the world and made Travolta, already well known from his role on TV's ''Welcome Back, Kotter'', a household name. The ''Saturday Night Fever'' soundtrack, featuring disco songs by the Bee Gees, is one of the best-selling soundtracks of all time.〔(Bee Gees' Maurice Gibb dies ). USA Today (January 12, 2003).〕 The film is the first example of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies; haute couture styles of clothing; pre-AIDS sexual promiscuity; and graceful choreography.
The story is based upon a 1976 ''New York'' magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night". In the mid-1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about; instead, the character who became Tony Manero was based on a Mod〔(Saturday Night Fever: The Life ) by Charlie LeDuff, ''New York Times''. June 9, 1996〕 acquaintance of Cohn's. In 2010, ''Saturday Night Fever'' was deemed "culturally, historically, or aesthecially significant" by the Library of Congress and slated to be preserved for all time in their National Film Registry.
The sequel ''Staying Alive'' (1983) also starred John Travolta and was directed by Sylvester Stallone.
==Plot==
Anthony "Tony" Manero (John Travolta) is a 19-year-old Italian American man from the Bay Ridge neighborhood of Brooklyn in New York City. Tony lives with his parents (Val Bisoglio and Julie Bovasso), and works at a dead-end job in a small hardware store. The stagnant monotony of his life is temporarily dispelled every Saturday night when Tony is "king of the dance floor" at 2001 Odyssey, a local disco club. Tony has four close friends: Joey (Joseph Cali); Double J (Paul Pape); Gus (Bruce Ornstein); and the diminutive Bobby C. (Barry Miller). A fringe member of this group of friends is Annette (Donna Pescow), a neighborhood girl who longs for a more permanent physical relationship with Tony.
One plot device in the film's narrative is the Verrazano–Narrows Bridge on which the friends ritually stop to clown around. The bridge has special significance for Tony as a symbol of escape to a better life on the other side—in more suburban Staten Island.
Tony agrees to be Annette's partner in an upcoming dance contest at 2001 Odyssey, but her happiness is short-lived when Tony is mesmerized by another woman at the club, Stephanie Mangano (Karen Lynn Gorney), who executes intricate dance moves with exceptional grace and finesse. Although Stephanie coldly rejects Tony's advances, she eventually agrees to be his partner in the dance competition, provided that their partnership will remain strictly professional. Tony's older brother, Frank Jr. (Martin Shakar), who was the pride of the Manero family since he was ordained a Roman Catholic priest, brings despair to their parents when he tells them that he has left the priesthood. Tony shares a warm relationship with Frank Jr., but feels vindicated that he is no longer the black sheep of the family.
While on his way home from the grocery store, Gus is attacked by a Hispanic gang and is hospitalized. He tells Tony and his friends that his attackers were the Barracudas. Meanwhile, Bobby C. has been trying to get out of his relationship with his devoutly Catholic girlfriend, Pauline, who is pregnant with his child. Facing pressure from his family and others to marry her, Bobby asks former priest Frank Jr., if the Pope would grant him dispensation for an abortion. When Frank tells him this would be highly unlikely, Bobby's feelings of despair intensify. Bobby lets Tony borrow his 1964 Chevrolet Impala to help move Stephanie from Bay Ridge to Manhattan, and futilely tries to extract a promise from Tony to call him later that night.
Eventually, the group gets their revenge on the Barracudas, and crash Bobby C's car into their hangout. Tony, Double J, and Joey get out of the car to fight, but Bobby C. takes off when a gang member tries to attack him in the car. When the guys visit Gus in the hospital, they are angry when he tells them that he may have targeted the wrong gang. Later, Tony and Stephanie dance at the competition and end up winning first prize. However, Tony believes that a Puerto Rican couple performed better, and that the judges' decision was racially rigged. He gives the Puerto Rican couple the first prize trophy, and leaves with Stephanie. Once outside in a car, she denigrates their relationship and he tries to rape her. She viciously resists and runs from him.
Tony's friends come to the car along with a drunk and stoned Annette. Joey says she has agreed to have sex with everyone. Tony tries to lead her away, but is subdued by Double J and Joey, and sullenly leaves with the group in the car. Double J and Joey have sex with Annette. Bobby C. pulls the car over on the Verrazano-Narrows Bridge for their usual cable-climbing antics. Typically abstaining, Bobby gets out and performs more dangerous stunts than the rest. Realizing that he is acting recklessly, Tony tries to get him to come down. Bobby's strong sense of alienation, his deadlocked situation with Pauline, and Tony's broken promise to call him earlier that day—all culminate in a suicidal tirade about Tony's lack of caring before Bobby slips and falls to his death into the river below them.
Disgusted and disillusioned by his friends, his family, and his life, Tony spends the rest of the night riding the subway into Manhattan. Morning has dawned by the time he appears at Stephanie's apartment. He apologizes for his bad behavior, telling her that he plans to relocate from Brooklyn to Manhattan to try and start a new life. Tony and Stephanie salvage their relationship and agree to be friends, sharing a tender moment as the credits roll.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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